Siresa, Huesca, Spain.
Monument to peace, installed in the sculpture park Hecho flank of the Pyrenees. Sculpture created in the first international sculpture symposium in Spain, organized by Pedro Tramullas under the dictatorship of Franco. This first symposium of 1975 included the sculptors Bonnard, Johner, Harada, Lesne, Miska Tramullas, Vernier, Yamahata.
ラ真野デラパズ 平和の手
高さ160 ×240 ×110センチメートル。ピレネー山脈の大理石 Siresa、Huesca、スペイン それはHechoはピレネー山脈の側面彫刻公園にインストールされて平和への記念碑です。 彫刻は、フランコ独裁政権下でペドロTramullas主催スペインで初の国際彫刻シンポジウムに作成されます。 1975年のこの最初のシンポジウムでは、彫刻家ボナール、Johner、原田、Lesne、Miska Tramullas、バーニア、山畑含まれています。
LA MANO DE LA PAZ LA MAIN DE LA PAIX Hauteur 160 x 240 x 110 cm. Marbre des Pyrénées Siresa, province de Huesca, Espagne C’est un monument en hommage à la paix, installé dans le parc de sculptures de Hecho au flanc des Pyrénées. Sculpture réalisée lors du premier symposium international de sculpture en Espagne, organisé par Pedro Tramullas sous la dictature de Franco. Ce 1er symposium de 1975 regroupait les sculpteurs Bonnard, Johner, Harada, Lesne, Miska, Tramullas, Vernier, Yamahata.
🇬🇧 Commentary on the Work:
Located in the meadows surrounding Pallar d’Agustín and scattered across a plot of 11,000 square meters, there are dozens of stone sculptures of various shapes and sizes that emerge from the forest or line the path ascending the hill toward the Plana Baixa.
All of this, together with other works found within the town itself, is the result of the International Symposium of Sculpture and Art of the Hecho Valley, held between 1975 and 1984. This initiative was promoted and directed by the sculptor from Jaca, Pedro Tramullas, in collaboration with the Town Council, and over ten editions brought together works by artists from twenty countries who worked in a range of disciplines.
This event holds the distinction of being the first held in Spain within the “Sculptors’ Symposia” movement — a phenomenon initiated by Austrian sculptor Karl Prantl in Skt. Margarethen in 1959 — whose main goal was to promote the collective and public work of artist communities in open-air settings. After taking part in that Austrian symposium, Tramullas applied the same model in Hecho. He thus organized this multidisciplinary experience that sought to integrate and represent all branches of art: ceramists, printmakers, musicians, filmmakers, theatre artists… in total about eighty artists who produced nearly one hundred works of art of all types.